luttant

nemfrog:

A weeping angel. Paradise and the Peri. 1860.

lustik:

Mahmoud Al-Kurd.

daniellechenette:

happy new year 2019 

#1

clawmarks:

Edmund J. Sullivan (1869-1933) - illustration to the Rubaiyat of Omar Khayyam - via Wikimedia

strange-gods:

the black gulf illumination

femgrit:

fullwoman:

“I have been carrying out a dialogue between the landscape and the female body (based on my own silhouette). I believe this has been a direct result of my having been torn from my homeland (Cuba) during my adolescence. I am overwhelmed by the feeling of having been cast from the womb (nature). My art is the way I re-establish the bonds that unite me to the universe. It is a return to the maternal source.” - Ana Mendieta

This is so visceral I love IT

oculablog:

Ibrahim, Untitled (2018). Acrylic pencil on canvas. 200 x 200 cm. Courtesy Gajah Gallery. 

kakfa:

the contents page of Pictures & Tears: A History of People Who Have Cried in Front of Paintings by James Elkins

anatomicdeadspace:

Cranium and vertebral column: two cross-sections. Lithograph by Nicolas Henri Jacob

thunderstruck9:

Johannes Grützke (German, 1937–2017), Kriegsknecht und Auferstehender, 1986. Pastel and gouache on paper, 163.5 x 173.5 cm.

via koerperlich

csongkijung:

poisonous